Ecocriticism and Iconography in the Work of Simone Leigh [provisional title]. New York, NY: Routledge, forthcoming 2026.

“Thomas Eakins’s Portrait of Professor Benjamin Howard Rand and Scientific Performance on Color, Light, and Vision in Nineteenth-Century Philadelphia”  Nineteenth Century Studies (November, 2024).

"Interiority, Metamorphosis, and Simone Leigh’s Hybrid Cowries" Arts 13, no. 2: 56 (February, 2024)

“Suicide and Survival in the Work of Kara Walker.” Women’s Studies Quarterly 44, 1&2 (Spring/Summer 2016)

“Ornament’s Performance of Parergonality in the Engraving of Anton Würth.” Word and Image 32, 1 (June 2016)

“Interplay: The Sculpture of Joe Meiser and Krista Hoefle.” Exhibition essay for Krista Hoefle and Joe Meiser: Screen Between, March 19-June 26, 2016, South Bend Museum of Art, South Bend, Indiana (Spring 2016)

“Ornament Doesn't Need Little Flowers: Anton Würth and Engraving in the 21st Century.” Exhibition review of Ornament Doesn't Need Little Flowers: Anton Würth and Engraving in the 21st Century, Snite Museum of Art, University of Notre Dame, Notre Dame, Indiana, Art in Print (May/June 2014)

“An Appetite for the Maternal: Reading Boyishly and the Unmaking of Effeminophobia.” Book review of Reading Boyishly: Roland Barthes, J.M. Barrie, Jacques Henri Lartigue, Marcel Proust, and D.W. Winnicott, by Carol Mavor, Art History 34 (June 2011).

“Bodies of Evidence: Inquest Photography in the Trial of Lizzie Borden.” In Murder on Trial: 1620-2002, edited by Robert Asher, Lawrence B. Goodheart, and Alan Rogers, 235-271. Albany: State University of New York Press, 2005.